For many years I have enjoyed visiting museums, monuments, and other major landmarks that this wonderful world has to offer. From the spectacular Louvre in Paris, the Getty in Los Angeles, or the Imperial War Museum in London, and even the Mennonite Settlement Museum in Hillsboro, Kansas, I have always enjoyed seeking out what the local culture has to offer in the way of palaces, museums, galleries and related points of interest. (Sidebar—a few weeks ago I took a cab from one train station to another in Paris and the summer crowds at the Louvre were absolutely stunning. Total gridlock!)
Portugal
is no exception and boasts many fine exhibitions throughout the country. One of
my favorites is Quinta da Regaleira near Sintra, an amazing estate with a
palace, grottoes, tunnels, ponds, gardens and terraces. The Palácio Nacional de Queluz is a charming palace with
whimsical gardens, a great collection of silver, and a sense that the royal
family of Portugal is simply away on holiday. The Gulbenkian
Museum is world renowned for its amazing collection of Rembrandts, Rubens and
other masters, and boasts a symphony and cultural activities. And amazingly,
many of these exhibitions in Portugal are free or very low cost. I recall a few
years ago wandering acres of amazing Roman excavations of Conimbriga, of a
scale, size and condition rivaling any other site in Europe, and being charged
a single Euro! Many other examples abound of free or heavily discounted
admissions throughout Portugal. But I have long wondered at the wisdom of what
I perceive to be an overly generous pricing system in Portugal for its cultural
and historical treasures.
Recently,
I visited for the first time Palácio Nacional da Pena above the charming town of Sintra, and wandered the stunning
hillside terraces, gardens and pathways that led to one of the most amazing
palaces I have ever seen. A whimsical, eclectic and romantic mixture of styles the Pena Palace is a feast for the senses. And as we
walked up to the set of small kiosks at the Palace entrance, an amazing thing
happened—they charged admission! And for the first time in all of my journeys
to Portugal, I paid an admission fee that, while still quite low at 13 euros,
was in line with what one pays at other museums in Europe. Clearly, for a
palace and grounds of this size, the Pena Palace needs to charge at least this
amount to manage its preservation, restoration and heritage. And it was actually a very good thing to see a crew of artisans at Pena carefully working in the main hall to return it to its past glory.
Now, don’t get me wrong, because I like free
things. In fact, I love free things and I even have a lecture in my
entrepreneurship courses titled “Why
spend a dollar when a dime will do?” And I also have a pretty good sense of
market forces, competition and proper pricing for goods and services. But I
have long felt that Portugal has undervalued its treasures, products,
collections, culture and history. As a Californian, I frequently say that in my
home state when something hits one hundred years old, we promptly close it and
turn it into a museum and charge admission. One of my favorites is Hearst
Castle, where I have visited around 20 or more times, and admission is $25 for
a fairly limited and highly restricted tour. The Pena Palace gives absolutely
nothing away to Hearst Castle!
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